Sans Superellipse Bomet 9 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: headlines, branding, editorial, posters, packaging, minimal, airy, clean, modern, calm, minimalism, modern branding, geometric clarity, elegant display, architectural tone, monoline, geometric, rounded, open apertures, linear.
A monoline sans with a distinctly geometric skeleton and rounded-rectangle (superellipse-like) curves. Strokes are extremely thin and consistent, with smooth, even curvature and straight-sided counters in letters like O and Q that read as softly squared rather than purely circular. Proportions are regular and measured, with generous internal space, open apertures, and simplified terminals that keep the texture light and continuous. The lowercase shows single-storey forms (notably a and g) and tall, slender ascenders/descenders that add vertical elegance; numerals follow the same linear, outline-like construction with clean, minimal shapes.
Best suited to display use where its ultra-thin, geometric forms can be appreciated—headlines, branding systems, posters, and refined packaging. It can also work for short editorial pulls or UI moments where a light, elegant tone is desired, especially at larger sizes where its delicate strokes remain clear.
The overall tone is quiet and refined, projecting a minimalist, contemporary feel with a slightly architectural precision. Its delicate line weight and softened geometry create an airy sophistication that feels more design-forward than utilitarian, balancing friendliness from rounded forms with a cool, modern restraint.
The design appears intended to deliver a pared-back, geometric sans built around softened rectangular curves, emphasizing clarity, consistency, and a premium minimalist aesthetic. Its simplified constructions and open shapes suggest a focus on contemporary branding and display typography where subtle geometry carries the personality.
At text sizes the hairline strokes produce a bright page color and a high sense of whitespace, while at larger sizes the superelliptical curves and rounded corners become the primary visual signature. The sample text shows consistent spacing and a smooth rhythm, with distinctive, gently squared rounds and a clean, understated Q tail.