Sans Superellipse Abmay 14 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bluteau Arabic Sans', 'Bluteau Hebrew Sans', and 'Bluteau Sans' by DSType; 'Mute' by Indian Type Foundry; 'Priva' and 'Priva Pro' by Monotype; 'PF Adamant Sans Pro' by Parachute; 'Quercus Sans' by Storm Type Foundry; and 'Libertad' by TipoType (names referenced only for comparison).
Keywords: ui text, product design, branding, signage, headlines, clean, friendly, modern, neutral, functional, legibility, versatility, ui friendliness, modern neutrality, soft geometry, rounded, geometric, soft corners, even rhythm, clear counters.
A clean sans with gently rounded terminals and superellipse-inspired curves, giving bowls and counters a soft rectangular feel rather than perfectly circular geometry. Strokes are even and steady, with open apertures and generous inner space that keep letters clear at text sizes. The uppercase set reads crisp and stable with straightforward construction, while the lowercase maintains a simple, contemporary rhythm with a single-storey a and g and compact, tidy joins. Numerals are straightforward and legible, matching the same rounded, low-fuss construction.
It works well for interface typography, dashboards, and product experiences where clarity and consistency matter. The rounded geometry also suits contemporary branding, packaging, and short headlines, while remaining readable for general-purpose text and informational signage.
The overall tone is modern and approachable, balancing a technical, UI-ready neatness with softened corners that feel friendly rather than austere. It communicates clarity and calm, making it suitable where a neutral voice is needed without feeling cold.
The design appears intended as a versatile, contemporary sans that prioritizes legibility and a smooth, friendly geometry. Its softened superellipse structure suggests a goal of fitting comfortably into digital and product contexts while remaining neutral enough for broad editorial and branding use.
Round forms like C, G, O, and Q show the superellipse-like squareness in the curves, and terminals tend to finish flat with rounded corners instead of sharp cuts. Diagonal letters (V, W, X, Y) keep a consistent stroke weight and avoid dramatic flair, reinforcing an even, utilitarian texture in paragraphs.