Sans Other Synu 3 is a very light, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, posters, tech branding, gaming ui, motion graphics, futuristic, technical, sci‑fi, sleek, mechanical, sci‑fi styling, technical voice, display impact, geometric construction, monoline, angular, octagonal, geometric, chamfered.
A monoline, right-leaning sans built from crisp straight strokes and frequent chamfered corners, giving many counters an octagonal feel. Curves are minimized in favor of faceted geometry, with open, angular joins and occasional breaks that read like engineered stroke terminations. The overall rhythm is airy and spacious, with broad letterforms, generous internal space, and a consistent forward slant that keeps lines moving. Figures and capitals echo the same faceted construction, producing a cohesive, blueprint-like texture in words and numerals alike.
Best suited to display settings where its angular detailing can be appreciated—headlines, posters, product marks, and tech or gaming-themed branding. It can work for interface labels or motion graphics when a sci‑fi/technical voice is desired, while extended body text may feel sparse and stylized compared with more conventional sans faces.
The tone is distinctly futuristic and technical, suggesting digital instrumentation, aerospace interfaces, or retro sci‑fi titling. Its sharp corners and schematic simplicity feel precise and engineered rather than friendly or organic, lending a cool, modern edge to short phrases.
The design appears intended to deliver a lightweight, high-tech aesthetic through faceted geometry and a consistent forward slant, evoking engineered lettering and digital display conventions. It prioritizes distinctive silhouette and thematic voice over neutrality, aiming for a sleek, futuristic presence in titles and identity work.
Diagonal strokes dominate, and many horizontals terminate with clipped ends, creating a segmented, modular look. The design remains clean and minimal, but the angular construction and occasional open forms make it more characterful than a conventional neo-grotesque, especially at display sizes.