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Free for Commercial Use

Script Tygid 6 is a light, very narrow, high contrast, italic, very short x-height font.

Keywords: wedding, invitations, greeting cards, branding, packaging, elegant, romantic, vintage, graceful, refined, decorative, formal script, calligraphic, headline focus, monogramming, swashy, looped, monoline hairlines, ornamental.


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A formal, flowing script with a right-leaning cursive skeleton and prominent entrance/exit strokes. Letterforms show pronounced thick–thin modulation, with slender hairlines and fuller downstrokes that create a crisp, calligraphic texture. Capitals are ornate and highly individualized, featuring large loops, teardrop terminals, and extended swashes that sit above and around the main strokes. Lowercase forms are more compact and rhythmic, with tall ascenders, narrow bowls, and frequent looped joins; counters stay relatively small and the baseline movement feels lively. Numerals echo the same contrast and curvature, with simple, lightly ornamented shapes that match the script’s stroke logic.

Well suited to wedding stationery, invitations, greeting cards, and boutique branding where expressive capitals can set a luxurious tone. It also fits cosmetic, confectionery, or craft-style packaging and labels when used for short phrases, names, or headings. In longer text, it works best as an accent style—paired with a simpler serif or sans for body copy.

The overall tone is classic and celebratory, suggesting a handwritten sophistication rather than casual marker or brush lettering. Flourished capitals and delicate hairlines give it a romantic, invitation-like feel, while the consistent slant and looping terminals add a sense of motion and charm. It reads as decorative and personable, with a vintage-leaning elegance.

The design appears intended to emulate formal calligraphy with generous swashes and a polished, display-oriented presence. It prioritizes decorative initials and a smooth cursive rhythm, aiming for elegance and personality in names, titles, and celebratory messaging.

Capitals carry much more visual weight than the lowercase due to their expansive swashes, so line starts and isolated initials become strong focal points. The tight internal spaces and fine hairlines mean the design looks most confident at moderate-to-large sizes, where the contrast and terminal details can remain clear.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸