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Free for Commercial Use

Distressed Pito 2 is a regular weight, narrow, high contrast, upright, short x-height font.

Keywords: posters, headlines, packaging, book covers, branding, handmade, rustic, expressive, vintage, whimsical, brush lettering, analog texture, handmade display, worn print, brushy, ragged, textured, calligraphic, organic.


Free for commercial use
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A hand-rendered, brush-leaning display face with visibly rough, irregular edges and strong stroke modulation. Letterforms are generally upright but loosely drawn, with uneven stroke terminals that taper or blunt unpredictably, creating a textured silhouette. Proportions feel compact and slightly condensed overall, while individual glyphs vary in width and internal spacing, reinforcing an improvised, hand-inked rhythm. Uppercase forms are bold and blocky with simplified structure, while the lowercase shows more cursive influence, including looped descenders and occasional calligraphic joins, producing a mixed, lively texture in running text.

Best suited to short-to-medium display settings where texture and personality are an asset, such as posters, headline treatments, packaging labels, and book or album covers. It can also work for branding accents, pull quotes, and menu headers where a handmade, rustic voice is desired, with more generous sizing to preserve the textured details.

The font projects a handmade, artisanal tone—part folk signage, part brush-script note—mixing warmth with a lightly gritty, weathered character. Its irregularity reads as intentional and expressive, suggesting analog tools and imperfect printing rather than polished digital geometry.

The design appears intended to capture the feel of quick brush lettering and worn print—maintaining human irregularities, variable stroke pressure, and distressed edges to deliver an expressive, analog look in bold display typography.

Contrast is driven by pressure-like strokes: thicker verticals and downstrokes paired with finer hairline curves and entry strokes. Counters can be tight in heavier letters, and the distressed perimeter adds visual noise that becomes more pronounced at smaller sizes, while larger sizes emphasize the brush texture and personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸