Sans Superellipse Kawe 3 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'Navine' by OneSevenPointFive, 'Hype vol 2' by Positype, and 'Beachwood' by Swell Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, apparel, packaging, sporty, energetic, assertive, modern, technical, impact, motion, modernity, branding, clarity, slanted, squared, rounded corners, compact, blocky.
A heavy, forward-slanted sans with compact proportions and rounded-rectangle (superelliptic) curves throughout. Strokes are thick and largely monoline, with corners softened into tight radii rather than sharp terminals, giving counters a squared-off, engineered feel. The glyphs show a strong rightward shear, sturdy verticals, and wide, stable horizontals; spacing looks built for impact, with dense shapes that hold together in large settings. Numerals and capitals share the same squared-round construction, and bowls/counters tend toward rectangular forms with smooth rounding.
Best suited to headlines, posters, and short-form messaging where a strong, kinetic voice is needed. It also fits sports branding, team or event graphics, apparel marks, and product packaging that benefits from bold, compact letterforms with a modern, technical edge.
The overall tone is fast, punchy, and performance-minded, evoking athletic branding and high-energy display typography. Its slant and dense weight read as confident and forceful, while the rounded corners keep it friendly enough for contemporary commercial design.
This font appears designed to deliver maximum impact with a sense of speed and solidity, using superelliptic geometry and rounded corners to balance aggression with approachability. The consistent, low-contrast strokes and squared counters suggest an intention toward clean reproduction in display sizes and brand marks.
The design’s rhythm leans on repeated rounded-rectangle motifs, which creates a cohesive, machined consistency across letters and figures. The italic angle is prominent enough to suggest motion, making the face feel like a built-in emphasis even without additional styling.