Print Joluv 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Dawned' by Twinletter (names referenced only for comparison).
Keywords: children’s books, posters, packaging, headlines, greeting cards, playful, friendly, childlike, casual, bubbly, approachability, handmade feel, playful display, casual readability, warm branding, rounded, soft, chunky, quirky, informal.
A rounded, marker-like print with heavy, even strokes and fully softened terminals. Forms are simplified and slightly irregular in a deliberate, hand-drawn way, with gentle asymmetries and bouncy spacing that create an animated rhythm. Counters are compact and often teardrop-like, apertures are modest, and curves dominate over sharp corners; diagonals and joins stay blunt and cushioned. Uppercase letters read sturdy and blocky, while the lowercase keeps a single-storey, handwriting-led construction with compact ascenders/descenders and a consistently thick texture.
Best suited to short-form typography where personality matters: children’s materials, playful posters, casual branding, packaging, stickers, and greeting cards. It also works well for headlines and callouts in apps or presentations where a warm, informal voice is desired.
The overall tone is cheerful and approachable, with a kid-friendly, crafty feel that suggests handwriting made with a felt-tip marker. Its soft geometry and bouncy rhythm convey warmth and humor rather than formality, making text feel conversational and lighthearted.
The design appears intended to mimic a bold, hand-drawn printed note—friendly, legible, and intentionally imperfect—prioritizing charm and approachability over precision. The consistent stroke and rounded terminals aim to produce a soft, inviting texture that reads quickly while still feeling handmade.
Numerals are rounded and simplified for a cohesive, cartoonish texture, and the dot on the i/j is a prominent circular blob that reinforces the playful voice. The weight and soft corners help maintain strong color in short lines, while the intentional irregularities make it feel personable at display sizes.