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Free for Commercial Use

Sans Superellipse Olmuk 4 is a bold, narrow, low contrast, upright, normal x-height font visually similar to 'Alaturka' by Bülent Yüksel (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, logos, industrial, retro, compact, sturdy, friendly, impact, economy of space, industrial voice, brandable look, sign clarity, rounded corners, rectilinear, compressed, blocky, soft terminals.


Free for commercial use
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A compact display sans with squared, rounded-rectangle construction and softly eased corners throughout. Strokes are heavy and even, with minimal modulation and a generally condensed footprint that keeps counters tight and verticals prominent. Curves resolve into superelliptic arcs rather than true circles, giving bowls and shoulders a boxy, engineered feel. Terminals are blunt and slightly rounded, and the overall spacing rhythm is steady and dense, emphasizing a solid, poster-ready silhouette.

Best suited to headlines and short blocks where a dense, high-impact texture is desirable, such as posters, signage, labels, and packaging. It can also work for logos and wordmarks that benefit from a compact width and sturdy presence, especially in single-color applications.

The tone feels utilitarian yet approachable—like industrial labeling softened with rounded edges. Its compressed, punchy shapes suggest vintage signage and workwear graphics, while the smooth corner treatment keeps it from feeling harsh. Overall it reads confident, bold in personality, and a bit nostalgic without becoming decorative.

The design appears intended to deliver strong legibility and a distinctive, engineered silhouette by combining a condensed structure with rounded-rectangle forms. It aims for a modern industrial voice with retro echoes, balancing firmness and friendliness through blunt, softened terminals and consistent stroke weight.

Uppercase forms maintain a consistent, monolithic texture, while lowercase adds a slightly more text-like cadence without losing the squared geometry. Numerals follow the same rounded-rectilinear logic, keeping the set cohesive for headings that mix letters and numbers.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸