Sans Superellipse Fyrey 2 is a very bold, normal width, low contrast, italic, tall x-height font visually similar to 'Akzidenz-Grotesk' and 'Akzidenz-Grotesk W1G' by Berthold, 'FX Neofara' by Differentialtype, 'Tabloid Edition JNL' by Jeff Levine, 'Neue Helvetica' and 'Neue Helvetica Paneuropean' by Linotype, 'Chandler Mountain' by Mega Type, and 'Nimbus Sans Novus' by URW Type Foundry (names referenced only for comparison).
Keywords: sports branding, headlines, posters, apparel, logos, sporty, dynamic, industrial, assertive, retro, impact, speed, branding, display, athletic, oblique, squared-round, compact, blocky, ink-trap hints.
A heavy, forward-leaning sans with squared-round (superelliptic) construction and consistently softened corners. Strokes are thick and even, with minimal contrast and a compact, punchy rhythm; counters tend toward rounded rectangles rather than circles. Terminals are clean and blunt, and several joins show subtle notches and cut-ins that read like practical ink-trap behavior at tight corners. The lowercase is tall and sturdy with short extenders, while numerals and capitals maintain a firmly engineered, slightly condensed silhouette.
Best suited to high-impact applications such as sports identities, event posters, bold headlines, product marks, and apparel graphics where a dense, energetic texture is desirable. It can also work for short UI labels or wayfinding-style callouts when set with enough spacing to keep counters clear, but it is primarily a display face rather than a long-form text solution.
The overall tone is fast, forceful, and utilitarian—more motorsport and performance branding than neutral text. Its oblique stance and blocky curves create a sense of motion and urgency, while the rounded-square shapes add a retro-industrial flavor reminiscent of athletic lettering and technical signage.
The design appears intended to deliver maximum impact with an aerodynamic, squared-round geometry: a sturdy, modern sans that signals speed and strength. The consistent weight, oblique angle, and compact counters suggest a focus on branding and display settings where momentum and presence matter most.
The sample text shows strong word-shape cohesion at larger sizes, with tight internal spaces that reinforce a dense, high-impact color on the page. Curved letters like C/O/S and the bowls of B/P take on a squared, aerodynamic feel, and diagonals (V/W/X/Z) emphasize the forward momentum. The design’s tight apertures suggest it benefits from moderate tracking in longer lines.