Sans Normal Olkuh 2 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Izmir' by Ahmet Altun, 'Averta PE' by Intelligent Design, 'Lyu Lin' by Stefan Stoychev, and 'TT Hoves Pro' and 'TT Norms Pro' by TypeType (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, contemporary, confident, clean, approachable, clarity, approachability, modernity, impact, versatility, rounded, geometric, soft, compact, high-contrast-free.
This typeface presents sturdy, monoline letterforms with a rounded, geometric construction and consistently smooth curves. Terminals are largely blunt and clean, with squared-off cuts that keep counters open and shapes crisp. Uppercase characters feel compact and stable, while the lowercase maintains a clear, readable skeleton with a single-storey a and g and a simple, straight-stemmed l. Numerals are wide and assertive with circular bowls and even stroke weight, aligning well with the overall rhythm of the alphabet.
This font is well suited for headlines and short blocks of text where a strong, clean presence is needed, such as branding, posters, packaging, and signage. It also works effectively for UI labels and callouts when a friendly, modern sans tone is desired, especially at medium-to-large sizes where its rounded geometry reads clearly.
The overall tone is friendly and contemporary, with a soft geometric warmth that feels confident rather than playful. Its heavy, even strokes and rounded forms give it an approachable presence suited to straightforward, modern communication. The look suggests clarity and practicality with a subtle, humanized softness.
The typeface appears designed to deliver a modern, approachable sans voice with strong legibility and a stable, compact rhythm. Its geometric rounding and consistent stroke weight suggest an intention to be versatile for display-led applications while retaining enough clarity for brief text settings.
The design relies on strong circular and semi-circular forms (notably in C, G, O, Q, e, and o), creating a cohesive texture in words. Diagonals in letters like K, V, W, X, and Y are bold and clean, contributing to a solid, poster-ready color without appearing distressed or stylized.