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Free for Commercial Use

Serif Normal Ganot 16 is a regular weight, normal width, medium contrast, italic, normal x-height font visually similar to 'Arcuata' by Eko Bimantara (names referenced only for comparison).

Keywords: editorial, book typography, magazines, quotations, invites, classic, literary, formal, old-style, refined, text emphasis, editorial tone, classic warmth, calligraphic italic, bracketed, calligraphic, lively, wedge serifs, diagonal stress.


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This is an italic serif with a pronounced rightward slant and lively, calligraphic modulation. Serifs are bracketed and often wedge-like, with gently flared terminals that give strokes a carved, pen-informed finish. Round letters show a subtle diagonal stress, and the overall rhythm alternates between firm vertical stems and sweeping curved strokes, producing a dynamic texture. Proportions feel traditional with a moderate x-height, and capitals are wide and stately, while lowercase forms are more fluid and compact. Numerals follow the same italic impulse, with curved entries and exits and sturdy, readable shapes.

It suits editorial and long-form contexts where an italic is needed for emphasis, quotations, or lead-ins, and it can also serve as a primary text face for traditionally styled layouts. The strong, dignified capitals and clear numerals make it appropriate for invitations, programs, and formal announcements where a classic serif voice is desired.

The tone is classic and literary, evoking book typography and formal correspondence. Its italic energy reads elegant rather than flashy, with a confident, established voice suited to traditional editorial settings. The overall impression is refined and slightly expressive, like a measured handwriting translated into print.

The font appears designed to provide a conventional text-serif italic with a distinctly calligraphic flavor—balancing readability and tradition with enough motion to feel expressive in running text and display-sized emphasis.

The design keeps a consistent, disciplined serif structure while allowing noticeable movement in curves and joins, which helps it feel warm and human without losing formality. Spacing appears generous enough for text, and the italic angle remains steady across capitals, lowercase, and figures for a cohesive page color.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸