Sans Superellipse Bodah 9 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui design, branding, headlines, posters, wayfinding, minimal, futuristic, clean, technical, calm, modernize, simplify, systematize, soften geometry, increase clarity, geometric, rounded corners, open apertures, high legibility, even rhythm.
A thin, single-stroke sans with a distinctly geometric construction. Round characters lean toward rounded-rectangle (superellipse) contours, giving bowls and counters a softly squared feel rather than perfect circles. Strokes terminate cleanly with no flaring, and curves connect to straights with consistent, controlled radii. Proportions are tidy and modern, with generous interior counters and clear separation between similar forms; numerals follow the same rounded, rectilinear logic for a cohesive texture in text.
It performs best in interface typography, contemporary branding, and display settings where its light stroke and geometric rounding can be appreciated. It also suits signage and wayfinding in clean, high-contrast applications, and works well for short paragraphs or captions when set with comfortable size and spacing.
The overall tone is modern and understated, with a subtle sci‑fi/tech flavor driven by the rounded-rect geometry and light touch. It reads as precise and polished rather than expressive, projecting a calm, contemporary neutrality suited to interface-driven design.
The design appears intended to deliver a sleek geometric sans with softened, superelliptical forms—balancing a technical, system-like feel with approachable rounded corners. Its consistent construction suggests a focus on contemporary digital contexts and crisp visual identity work.
The typeface maintains a consistent geometric rhythm across uppercase, lowercase, and figures, producing an airy, refined color on the page. Rounded corners and open counters help preserve clarity at display sizes, while the very thin stroke emphasizes elegance over heaviness.