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Free for Commercial Use

Sans Superellipse Etbus 2 is a bold, narrow, low contrast, italic, normal x-height font visually similar to 'Akzidenz-Grotesk W1G' by Berthold, 'CF Blast Gothic' by Fonts.GR, 'Etrusco Now' by Italiantype, 'Enamela' by K-Type, 'Trade Gothic' by Linotype, and 'Bridgesone' by snapedsgn (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, urgent, technical, modern, assertive, impact, speed, space saving, modern utility, condensed, slanted, rounded, compact, heavyweight.


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This typeface is a condensed, forward-slanted sans with compact proportions and a tight rhythm. Strokes are thick and even, with rounded-rectangle curve construction that keeps counters open and corners softly eased rather than sharp. Terminals are mostly blunt and clean, and the overall geometry feels streamlined and engineered, with minimal modulation and consistent stroke behavior across letters and numerals.

Best suited for short, high-impact settings such as headlines, posters, identity lockups, and promotional copy where density and speed are desirable. It can work well on packaging and apparel graphics, especially in contexts that benefit from a streamlined, performance feel. For longer passages, it is likely most effective in larger sizes where the compact forms can breathe.

The overall tone is energetic and fast, with a purposeful, high-impact voice. Its slant and compact width create a sense of motion and urgency, while the rounded forms keep it approachable rather than aggressive. The result reads as contemporary and performance-oriented, suited to messaging that wants to feel active and direct.

The design appears intended to deliver maximum impact in a compact footprint, pairing condensed proportions with a dynamic slant for momentum. Rounded, squared-off curves and uniform stroke weight suggest an emphasis on modern clarity and repeatable, system-like shapes. Overall, it looks built to communicate speed, strength, and contemporary utility.

Capitals and figures share a sturdy, compact stance that holds together well in blocks of text, while the lowercase maintains clear differentiation in key shapes. Curves (such as in C, G, O, S, and 0) emphasize squarish rounding rather than pure circles, reinforcing a technical, industrial flavor. The numerals appear designed for visual consistency with the letters, matching the same condensed, slanted silhouette.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸