Slab Unbracketed Tirof 3 is a very light, very wide, low contrast, italic, normal x-height font.
Keywords: headlines, editorial, branding, posters, packaging, elegant, air-y, quirky, refined, futuristic, distinctive display, modernization, fashion tone, airiness, geometric softness, hairline, oblique, expanded, slab serif, unbracketed serifs.
A hairline-weight, expanded oblique slab serif with crisp, square-ended terminals and unbracketed slabs that read as small, precise accents rather than heavy feet. Strokes are consistently thin with minimal contrast, while bowls and curves are softly squared, giving round letters a gently rectilinear contour. The design has a wide stance and open counters, with a steady, slightly calligraphic rhythm created by the slant and the long, clean horizontals. Numerals and capitals maintain the same airy construction, emphasizing lightness and breadth over dense texture.
Best suited to display settings where its hairline strokes and wide proportions can be appreciated—magazine headlines, fashion/editorial layouts, brand marks, posters, and premium packaging. It can work for short pull quotes or subheads at comfortable sizes, but the light construction favors generous sizing and good contrast with the background.
The font feels poised and fashionable, with a cool, modern tone and a hint of eccentricity from its wide proportions and softly squared curves. Its delicate lines and oblique posture suggest sophistication and light luxury rather than utilitarian robustness, lending a distinctive, slightly sci‑fi editorial flavor.
The design appears intended to reinterpret a slab serif through an ultra-light, expanded, oblique lens—prioritizing elegance, whitespace, and a distinctive squared-curve geometry over traditional weighty slab presence. It aims to deliver a recognizable, contemporary voice for display typography.
In text, the very thin strokes and wide set produce a pale typographic color and a spacious line rhythm. The squared curvature shows up clearly in rounded forms (C, O, S, 0–9), which read more like rounded rectangles than perfect ovals, contributing to the font’s characteristic personality.