Sans Superellipse Jefu 2 is a very bold, normal width, monoline, upright, tall x-height font visually similar to 'Stallman Round' by Par Défaut and 'Grendo' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming ui, sci-fi titles, futuristic, arcade, industrial, techno, geometric, impact, modularity, digital flavor, branding, blocky, rounded, squarish, stencil-like, compact.
A heavy, geometric sans built from squared forms with generously rounded corners, giving counters and bowls a soft-rectangle (superellipse) feel. Strokes are uniform and dense, with tight apertures and frequent straight-cut terminals that create crisp, modular silhouettes. Many letters use rectangular counters and notches, producing a slightly stencil-like internal structure and a strongly constructed, engineered rhythm. Proportions emphasize a tall lowercase with compact internal space, and the overall texture reads dark and even at display sizes.
Best suited to short, high-impact settings such as headlines, poster typography, wordmarks, and title treatments where its solid shapes and distinctive notches remain clear. It also fits UI or on-screen display work for games and tech-themed graphics, especially at larger sizes where the interior cuts and squared counters can be read cleanly.
The overall tone is bold and assertive with a distinctly retro-digital flavor. Its rounded-square geometry and cut-in details evoke arcade cabinets, sci‑fi interfaces, and industrial labeling, balancing friendliness (soft corners) with a hard, machined attitude.
The design appears intended to deliver maximum visual punch through a compact, modular geometry, while maintaining approachability via rounded corners. Its simplified curves and rectangular counters suggest a deliberate, systemized construction aimed at futuristic and digital-themed branding.
Uppercase and lowercase share a consistent modular logic, with simplified curves and squared-off joins that keep the design cohesive across letters and numerals. The numerals and punctuation follow the same rounded-rectangle construction, supporting a unified, system-like appearance.