Sans Superellipse Bokej 2 is a very light, wide, low contrast, upright, normal x-height font visually similar to 'Geogrotesque Expanded Series' and 'Geogrotesque Sharp' by Emtype Foundry (names referenced only for comparison).
Keywords: branding, ui, headlines, posters, wayfinding, futuristic, minimal, clean, technical, airy, geometric clarity, modern branding, tech aesthetic, minimalism, geometric, monoline, rounded, superelliptic, modular.
This is a monoline geometric sans built from rounded-rectangle and superelliptic components, producing smooth corners and softly squared bowls. Strokes are consistently thin with minimal optical modulation, giving the letterforms an even, wireframe-like presence. Proportions are generous and open, with rounded counters, broad curves in C/G/S, and simple, straight-sided construction in letters like E/F/H/L. Terminals are clean and mostly horizontal or vertical, and the overall rhythm is regular and measured, emphasizing clarity and structure over calligraphic nuance.
Best suited to display settings where its delicate strokes and geometric personality can be appreciated—technology branding, UI titling, editorial headlines, posters, and signage/wayfinding at larger sizes. For longer text, it will benefit from ample size and spacing so the thin strokes retain presence.
The tone feels modern and engineered, with a calm, pared-back character that reads as futuristic and precise. Its thin, rounded geometry suggests a sleek, high-tech sensibility while staying friendly through softened corners and open shapes.
The design appears intended to explore a superelliptic, rounded-rect geometry in a minimalist, monoline manner, balancing a contemporary tech feel with approachable softness. It prioritizes clean silhouettes, consistent construction, and a distinctive rounded-rectangle voice for branding and interface-forward typography.
The superelliptic logic is especially apparent in the rounded bowls of O/Q and the rectangular curvature in D and lowercases like e and a. Diagonals (V/W/X/Y) are crisp and linear, contrasting with the rounded rectangles elsewhere, which reinforces a modular, constructed aesthetic.