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Free for Commercial Use

Sans Normal Okmay 13 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Neue Haas Grotesk Text' by Linotype, 'Gautami' by Microsoft Corporation, 'Helvetica Now' by Monotype, 'Europa Grotesk No. 2 SH' by Scangraphic Digital Type Collection, and 'Nimbus Sans Arabic' by URW Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, modern, confident, clean, friendly, functional, display clarity, strong presence, modern utility, brand emphasis, geometric, robust, rounded, compact, high impact.


Free for commercial use
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A sturdy geometric sans with broad proportions and a heavy, even stroke. Curves are smooth and round, counters are generously open, and terminals are cleanly cut without flaring. The uppercase reads blocky and stable with straightforward construction, while the lowercase maintains simple, single-storey forms (notably the a and g) and consistent, utilitarian detailing. Numerals are similarly robust and clear, designed to hold shape at display sizes with strong silhouettes and minimal internal complexity.

Best suited to headlines, poster typography, and brand marks where a strong, clean presence is needed. It should also work well for signage and packaging that benefit from broad letterforms and clear, open counters. For long-form reading, it will likely be most effective when used sparingly for emphasis rather than as the primary text face.

The overall tone is modern and direct, with a friendly edge from the rounded bowls and open counters. Its weight and width give it a confident, attention-grabbing voice that feels contemporary and practical rather than delicate or expressive.

The design appears intended as a contemporary, high-impact sans that emphasizes clarity and sturdy geometry. Its simplified forms and open counters suggest a focus on legibility at display sizes and on creating a dependable, modern typographic voice for commercial and informational use.

Spacing appears comfortable at large sizes, helping the dense weight avoid clogging, and the rhythm stays consistent across caps, lowercase, and figures. The design prioritizes strong exterior shapes and simple interior forms, which supports fast recognition in short bursts of text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸