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Free for Commercial Use

Wacky Esra 5 is a very light, normal width, high contrast, upright, normal x-height font.

Keywords: posters, headlines, logos, packaging, editorial accents, playful, whimsical, quirky, geometric, schematic, display novelty, diagram motif, playful branding, decorative lettering, monoline, hairline, node terminals, constructed, rounded.


Free for commercial use
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A hairline monoline design built from thin strokes and smooth circular arcs, punctuated by small round node terminals at stroke ends and intersections. Letters feel constructed rather than written, with simplified geometry, frequent use of near-perfect circles (notably in O/o and bowls), and occasional straight segments that connect like plotted points. Spacing and proportions are fairly even, but individual glyphs vary in structure, giving the alphabet an intentionally irregular rhythm. The result is an airy, high-contrast look driven by minimal stroke weight against prominent dot terminals.

Best used at medium to large sizes where the dot terminals and delicate strokes remain visible: posters, display headlines, logotypes, packaging, and short editorial accents. It can also work for event graphics or science/tech-themed visuals where a diagrammatic tone is desirable, but it is less suited to dense body copy.

The dotted nodes and plotted-stroke construction evoke diagrams, constellations, and playful “connect-the-dots” puzzles. It reads as curious and lighthearted, with a gently nerdy, techy charm that feels more illustrative than typographic.

The design appears intended as an experimental display face that turns letter construction into a visual motif. By emphasizing node-like terminals and geometric arcs, it aims to feel like lettering assembled from plotted points, prioritizing distinctive texture and novelty over conventional text efficiency.

The prominent node terminals become the dominant texture in text, creating a sparkling, pointillist cadence along baselines and curves. Some forms lean toward single-storey simplicity and open counters, favoring character over strict uniformity; this boosts novelty but can reduce clarity at small sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸