Sans Superellipse Ommoj 5 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Corner B' by CarnokyType (names referenced only for comparison).
Keywords: headlines, branding, logotypes, ui labels, posters, techy, modular, retro-futurist, friendly, playful, geometric system, tech aesthetic, display clarity, brand distinctiveness, rounded, squared, geometric, compact, stencil-like.
A geometric sans built from rounded-rectangle (superellipse) forms with consistent stroke weight and softly radiused corners. Curves read as squared-off bowls and arches, while terminals tend to be flat and clean, giving the letters a modular, engineered feel. Counters are generally open and simplified, and several joins create narrow interior apertures that reinforce the constructed, display-oriented rhythm. The numerals follow the same rounded-rect geometry, with smooth, uniform curves and a compact footprint.
This style performs best in headlines, brand marks, product naming, and short UI or wayfinding labels where its modular geometry can be a visual feature. It also suits posters, packaging, and tech-themed graphics that benefit from a clean, futuristic voice. For extended paragraphs, it will be more effective when set large with generous spacing to preserve counter clarity.
The overall tone feels modern and synthetic, with a distinct retro-tech flavor reminiscent of digital interfaces and industrial labeling. Rounded corners keep it approachable, while the squared geometry and tight apertures add a purposeful, machine-made confidence. It lands between playful and utilitarian, making it feel at home in contemporary tech or sci‑fi flavored design.
The design intention appears to be a contemporary geometric sans with a superellipse construction—combining soft corners with squared curves to create a distinctive, system-like aesthetic. It aims for a consistent, engineered texture across uppercase, lowercase, and numerals, prioritizing a recognizable silhouette and a clean, modern presence for display and interface contexts.
Distinctive rounded-rect construction shows most strongly in the C/G/S family and in arches like n/m, creating a consistent "soft-square" silhouette across the set. The design favors clarity of silhouette over calligraphic nuance, so it reads best when given space and sufficient size. The sample text suggests strong wordshape uniformity and a steady, grid-friendly texture.