Sans Superellipse Dumim 8 is a regular weight, wide, monoline, upright, tall x-height font.
Keywords: ui design, app branding, signage, dashboards, packaging, techy, clean, futuristic, systematic, friendly, modernization, legibility, interface clarity, geometric identity, friendly tech, rounded, squared, geometric, soft corners, open apertures.
A geometric sans with a rounded-rectangle (superelliptic) construction and consistently softened corners. Strokes are even and fairly substantial, producing clear silhouettes with a calm, engineered rhythm. Counters tend to be squarish and spacious, with open apertures on letters like c, e, and s; terminals are typically horizontal or gently curved rather than pointed. The lowercase is compact and highly readable, with a single-storey a and g, a simple vertical-stem r, and a short-armed t; capitals are boxy and stable, with a notably angular, peaked A and a straightforward, squared-off O. Numerals follow the same rounded-rect geometry, with a slashed zero and balanced, modular forms across the set.
Well-suited for UI and product surfaces where clarity and consistency matter, including dashboards, device displays, and wayfinding systems. Its rounded-square geometry also makes it effective for tech branding, packaging, and editorial subheads where a modern, engineered voice is desired without sacrificing friendliness.
The overall tone reads contemporary and interface-forward: precise, orderly, and mildly futuristic without feeling cold. Rounded corners and generous inner space add approachability, giving it a friendly “tech” personality suited to modern screens and product branding.
The design appears intended to merge a systematic, modular construction with softened corners for a contemporary digital feel. It aims for high legibility and a cohesive geometric identity that remains distinctive through its superelliptic proportions and crisp diagonal structure.
Diagonal joins (notably in V, W, Y, and X) create crisp internal angles that contrast with the soft outer corners, adding visual snap. The Q’s tail is minimal and integrated, and the punctuation-like details (such as the i/j dots) are simple, squared, and consistent with the font’s modular logic.