Sans Superellipse Lipu 16 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: headlines, posters, branding, ui labels, gaming, futuristic, tech, sci‑fi, clean, friendly, tech branding, ui clarity, futuristic tone, geometric system, rounded corners, soft geometry, wide stance, open counters, uniform stroke.
A geometric sans built from rounded-rectangle forms with consistently softened corners and a uniform stroke. Curves tend to resolve into superelliptical bowls and squarish rounds, giving letters like C, O, and D a compact, modular feel. Terminals are clean and mostly horizontal/vertical, with occasional angled joins and simplified diagonals that keep the silhouettes crisp. Counters are generally open and generously sized, and the overall rhythm is steady, with a broad stance and slightly mechanical spacing that emphasizes clarity at display sizes.
Best suited to headlines, logos, product branding, and short UI labels where its geometric construction reads as intentional and distinctive. It also fits tech and gaming visuals, sci‑fi themed graphics, and packaging that benefits from a clean, modern voice. For long passages, it works most comfortably at larger sizes where the stylized forms and wide proportions have room to breathe.
The rounded-square construction and even stroke create a distinctly futuristic, interface-driven tone—technical but approachable rather than severe. It evokes sci‑fi UI labeling, consumer electronics, and modern digital systems where softness and precision coexist. The wide, modular shapes give it a confident, contemporary voice with a subtle retro‑future edge.
The design appears aimed at delivering a modern techno sans with a soft-edged, modular geometry—combining the precision of engineered letterforms with rounded friendliness for contemporary digital contexts. Its consistent stroke and rounded-rectangle skeleton suggest an intention to feel systematic, futuristic, and highly legible in display applications.
Several glyphs show intentionally stylized construction (notably the angular V/W forms and simplified diagonal logic), reinforcing a designed, system-like aesthetic rather than a traditional typographic one. The dot on i/j is circular and prominent, and the numerals match the same rounded-rect geometry for a cohesive alphanumeric set.