Sans Superellipse Bymaw 3 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type and 'Aeternus' by Unio Creative Solutions (names referenced only for comparison).
Keywords: headlines, posters, branding, signage, packaging, modernist, condensed, minimal, architectural, airy, space-saving display, geometric system, modern clarity, sleek branding, monoline, rectilinear, rounded corners, high-waisted, clean.
A tall, tightly set sans with monoline strokes and strongly condensed proportions. Curves are built from rounded-rectangle/superellipse geometry, giving counters a soft-cornered, tubular feel rather than true circles. Terminals are clean and largely unadorned, with a mix of straight stems and gently rounded bowls; joins stay crisp and vertical, producing a steady, columnar rhythm. Numerals and capitals share the same narrow, upright stance, and the overall construction favors simple, repeatable modules over calligraphic modulation.
Well suited to display settings where a compact footprint is useful, such as headlines, posters, and brand wordmarks. The tall, narrow structure can work effectively in signage, packaging, and UI labels when you want a sleek, space-saving voice, especially at medium to large sizes.
The font reads as modern, efficient, and slightly industrial—more signage and system typography than editorial warmth. Its narrow, vertical cadence feels architectural and metropolitan, while the softened corners keep it from becoming harsh or technical.
The design appears intended to deliver a contemporary condensed sans built from simple geometric primitives, prioritizing vertical clarity and a compact silhouette. Its softened superellipse forms suggest an aim to balance a technical, structured skeleton with a friendlier, rounded finish.
The condensed width and tall proportions create strong vertical emphasis and noticeable whitespace between letters, which can look refined in larger sizes. Rounded-rectangle counters and minimal terminals give the design a cohesive, engineered consistency across letters and figures.