Sans Superellipse Kigi 3 is a bold, very wide, medium contrast, upright, tall x-height font visually similar to 'Rexlia' by Typodermic (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, futuristic, tech, industrial, game ui, robotic, impact, sci‑fi ui, systematic, clarity, branding, square-rounded, modular, geometric, angular, stencil-like.
A geometric sans built from rounded-rectangle (superellipse) shapes, with squared counters and softened corners throughout. Strokes are heavy and even, with crisp horizontal and vertical terminals and frequent chamfer-like corner cuts that create a subtly segmented, modular feel. Curves are minimized in favor of radiused corners, producing boxy bowls in letters like O, D, and Q, while diagonals (A, K, V, W, X) read as engineered joins rather than flowing forms. Spacing is generous and the overall width is expansive, giving the face a stable, low-profile stance and strong sign-like presence.
Best suited to short text in display contexts such as headlines, posters, product packaging, and bold wordmarks where its wide, modular forms can breathe. It also works well for UI titling, game HUD elements, and wayfinding-style signage where strong silhouettes and consistent geometry aid quick recognition.
The overall tone is futuristic and utilitarian, evoking sci‑fi interfaces, industrial labeling, and hardware-inspired graphics. Its squared, radiused construction feels precise and synthetic, with a confident, high-impact voice suited to tech-forward branding and display settings.
The design appears intended to translate a rounded-rectangular, interface-like geometry into a cohesive alphabet, prioritizing sturdy silhouettes, uniform construction, and a contemporary tech aesthetic. The consistent corner radii and chamfered cuts suggest a deliberate, systematized drawing approach aimed at bold, attention-grabbing typography.
Distinctive details include a squared, open C/E/S vocabulary, a rectangular-dot i/j, and numerals that follow the same rounded-box geometry for consistent rhythm. The lowercase keeps the same modular construction, with simplified bowls and compact joins that emphasize clarity over calligraphic nuance.