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Free for Commercial Use

Inline Pazo 5 is a bold, wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, signage, packaging, logotypes, art deco, retro, theatrical, playful, display, decorative impact, vintage styling, signage feel, engraved look, headline focus, rounded, soft terminals, monoline inline, high-contrast, sculptural.


Free for commercial use
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A stylized display face built from compact, rounded silhouettes with a consistent inline cut that carves a narrow white channel through the black strokes. Many characters lean on simplified, geometric construction—pill-shaped stems, circular bowls, and softened corners—while select letters introduce calligraphic-like curls and tapered joins for variety. The inline treatment often runs vertically through stems and bowls, creating a poster-like, engraved look and emphasizing the glyphs’ thick outer contour. Spacing appears generous and the forms are generally open, with a slightly whimsical rhythm across the alphabet and numerals.

Best suited for display settings such as posters, editorial headlines, event promotion, storefront signage, packaging fronts, and brand marks where the inline engraving can read clearly. It can also work well for short pull quotes or section openers when set at moderate-to-large sizes with comfortable spacing.

The overall tone feels decidedly vintage and decorative, evoking early 20th-century signage, cinema titles, and ornamental advertising. The inline cut adds a crafted, marquee-like sparkle that reads as theatrical and celebratory rather than utilitarian. Its mix of geometric solidity and quirky details gives it a playful, characterful voice.

The font appears designed to deliver an eye-catching, vintage-leaning inline effect with bold silhouettes and a handcrafted, ornamental finish. Its consistent carved channel and rounded geometry suggest a focus on decorative impact and strong identity in titling contexts rather than long-form text.

The design relies on strong black shapes with internal negative channels, so it performs best when the inline remains visible; at very small sizes the carved line and inner counters may start to visually merge. The numerals and punctuation shown carry the same engraved motif, supporting cohesive titling and short statements.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸