Distressed Fuguj 2 is a regular weight, normal width, medium contrast, upright, short x-height font.
Keywords: posters, packaging, craft branding, children’s, greeting cards, handmade, playful, rustic, casual, quirky, hand-lettered feel, tactile texture, informal warmth, human character, rounded, monoline, inked, uneven, organic.
A casual handwritten sans with monoline strokes and softly rounded terminals. Letterforms are built from simple geometric skeletons, but the outlines show visible wobble and slightly rough, inked edges that create a printed-by-hand texture. Curves are open and generous, counters are round, and joins are smooth rather than sharply constructed. Spacing and widths vary naturally from glyph to glyph, reinforcing an informal, human rhythm in both the uppercase and lowercase; figures follow the same hand-drawn logic with simplified shapes and slight irregularities.
Well-suited to display and short-to-medium text where a personable, hand-rendered voice is desirable—such as posters, book covers, packaging, café or market signage, greeting cards, and children’s or educational materials. It can also add a human touch to branding and social graphics when paired with a cleaner companion for longer reading.
The overall tone is friendly and approachable, with a gently imperfect texture that feels handmade and personal. Its uneven edges and relaxed construction give it a warm, crafty character—more like marker or brush lettering than a polished display face. The result reads as informal and charming, with a subtle worn/roughened flavor that adds personality without becoming chaotic.
Designed to capture the look of quick, confident hand lettering with slightly distressed edges, balancing clarity with a deliberately imperfect, tactile finish. The construction prioritizes warmth and character over strict uniformity, aiming for an authentic handmade impression in everyday display settings.
Uppercase forms stay relatively clean and open, while lowercase letters emphasize the handmade feel with looser proportions and occasional asymmetry in bowls and stems. The sample text shows consistent legibility at larger sizes, where the texture and wobble become part of the voice rather than visual noise.