Print Rimuv 2 is a very bold, normal width, low contrast, italic, normal x-height font visually similar to 'European Sans Pro' by Bülent Yüksel; 'Dysanian' by Gassstype; 'Anantason Mon', 'Anantason Reno', and 'Prachason Neue Mon' by Jipatype; and 'Kurstiva' by Typogama (names referenced only for comparison).
Keywords: headlines, posters, packaging, branding, social media, friendly, playful, casual, retro, bold, hand-lettered feel, display impact, approachability, signage style, rounded, brushy, soft, bouncy, informal.
A heavy, slanted print face with rounded terminals and a brush-like, slightly swelling stroke that keeps contrast subtle. Letterforms are compact and chunky with generous curves, minimal sharp corners, and a smooth, continuous rhythm across the alphabet. Proportions are lively and somewhat varied, with wide bowls and softly tapered joins that create a handwritten, marker-like texture. Numerals match the letterforms with the same soft, inflated weight and forward-leaning stance.
Best suited to short, attention-grabbing text such as headlines, posters, storefront-style graphics, packaging, and brand marks that benefit from a bold, friendly voice. It can work well for casual editorial pull quotes or social media graphics where warmth and impact are more important than extended reading comfort.
The overall tone is upbeat and approachable, with a sporty, mid-century sign-painting feel. Its thick, soft shapes read as warm and informal, emphasizing personality over precision and giving text a buoyant, conversational cadence.
The design appears intended to mimic confident hand-lettered signage or marker brush writing, delivering strong presence with soft, approachable shapes. Its goal is to combine bold display impact with an informal, human tone that feels energetic and easygoing.
The forward slant and rounded counters help maintain legibility at display sizes, while the dense color and tight interior spaces can feel heavy in long passages. The sample text shows a consistent cadence and smooth connections between strokes without actual cursive joining, preserving a clear printed structure.