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Free for Commercial Use

Distressed Ryji 9 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'Antry Sans' by Mans Greback, 'Sans Beam' by Stawix, 'Lektorat' by TypeTogether, and 'Body' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event flyers, poster, retro, grunge, circus, loud, maximum impact, vintage texture, hand-printed feel, space saving, blocky, condensed, stenciled, ink-trap, roughened.


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A compact, heavy display face with condensed proportions and simplified, blocky construction. Strokes are predominantly straight-sided with rounded corners and occasional flared terminals, producing a punchy, carved-in silhouette. Interior counters show irregular “bite” shapes and patchy voids that read like worn ink, chipped paint, or rough stencil cutouts; these artifacts recur consistently across letters and numerals. Overall spacing is tight and rhythm is dense, emphasizing verticality and solid black mass in text settings.

Best suited for large-scale display work such as posters, headlines, badges, and logo wordmarks where the distressed detail can be appreciated. It also fits packaging and event collateral that benefits from a vintage, rough-printed attitude. For long passages or small sizes, the dense weight and interior texture may reduce clarity, so it works better in short, emphatic lines.

The distressed interior texture and bold, compressed shapes create a loud, gritty tone with a throwback show-poster feel. It suggests hand-printed ephemera—something aged, imperfect, and attention-seeking—balancing playful exuberance with a slightly rough, industrial edge.

The design appears intended to deliver maximum impact in a condensed footprint while adding character through consistent internal distressing. It aims to evoke worn printmaking or stencil-like production, giving clean block forms a textured, lived-in surface for expressive display typography.

Uppercase forms stay mostly geometric and rectangular (notably E/F/L/T), while round letters (C/G/O/Q) keep strong, compact bowls that maintain the font’s dense color. Numerals are similarly stout, with distinctive, high-impact silhouettes that hold up in short bursts. The distressing is internal rather than along the outer contour, helping letterforms remain legible even as texture increases.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸