Print Ulmoy 8 is a light, very narrow, medium contrast, italic, very short x-height font.
Keywords: invitations, greeting cards, quotes, packaging, lifestyle branding, casual, airy, playful, personal, whimsical, handwritten charm, personal voice, light elegance, display flair, monoline, calligraphic, looping, bouncy, loose.
A casual handwritten print with a right-leaning, pen-drawn construction and a generally monoline stroke that occasionally swells or tapers at turns. Letterforms are compact and tall-leaning, with small counters and long, lightly arcing ascenders/descenders that give lines a delicate vertical rhythm. Capitals mix simple handwritten skeletons with a few looped or flourished entries (notably in letters like B, G, Q, and R), while lowercase stays mostly unconnected, using quick, single-stroke shapes and narrow apertures. Numerals follow the same informal logic, with open, rounded forms and slightly varied widths that feel drawn rather than measured.
Well-suited to short, expressive copy such as invitations, greeting cards, pull quotes, headings, and lightweight packaging or label text where a personal tone is desired. It performs best at moderate-to-large sizes, especially where the looped capitals can act as visual accents in titles or name marks.
The overall tone is friendly and human, balancing neatness with spontaneous penmanship. Its light touch and brisk slant read as informal and conversational, with a slightly whimsical, sketchbook character. Flourished capitals add a hint of charm without pushing into formal script territory.
Designed to capture the feel of quick, elegant everyday handwriting in an unconnected print style, with selective flourishes to elevate headlines and initial caps. The emphasis appears to be on personable rhythm and charm rather than rigid consistency, aiming for a natural handwritten voice in display and short-text applications.
Spacing and widths fluctuate subtly across the alphabet, reinforcing an authentic handwritten cadence. The sample text shows good word-shape flow at larger sizes, while the small x-height and tight internal spaces suggest more care is needed for dense text or very small settings.