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Free for Commercial Use

Solid Omne 11 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'Flanders Script' by Letterhend (names referenced only for comparison).

Keywords: posters, headlines, logos, stickers, packaging, playful, puffy, goopy, cartoon, rowdy, maximum impact, cartoon display, playful branding, organic texture, silhouette focus, blobby, chunky, rounded, compressed, slanted.


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A dense, ink-heavy display face built from swollen, blob-like forms with fully filled counters and strongly simplified interior detail. The letterforms lean forward and appear compressed, with tightly packed, irregular contours that create a bouncy, uneven rhythm across words. Strokes read as thick, soft masses rather than drawn lines, and many terminals end in rounded bulges or blunt wedges, emphasizing silhouette over clarity. Overall spacing looks compact, and the baseline/shoulder shapes feel intentionally inconsistent to heighten the organic, melted effect.

Best suited for short, high-impact display settings such as posters, event titles, playful branding marks, sticker-style graphics, and bold packaging callouts. It can work well in single words or brief phrases where the distinctive silhouettes can be appreciated, rather than in extended paragraphs.

The font conveys a mischievous, sugary energy—somewhere between bubble lettering and dripping paint. Its chunky silhouettes feel loud and humorous, with a handmade, spontaneous attitude that prioritizes impact and personality over precision. The tone is playful and slightly chaotic, suited to attention-grabbing, youthful messaging.

The design appears intended to deliver maximum visual punch through exaggerated, inflated shapes and simplified interiors, creating a novelty display look that reads as gooey and cartoon-like. Its forward lean and compact spacing suggest an aim for energetic, kinetic headlines with a deliberately irregular, handmade feel.

At text sizes the heavy silhouettes tend to merge into dark bands, especially in longer lines, so it performs best when given generous size and breathing room. The slanted stance and collapsed counters amplify the sense of motion but also reduce internal landmarks, making short words and headlines the most readable use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸