Sans Superellipse Takuh 3 is a bold, normal width, medium contrast, upright, short x-height font visually similar to 'Neuron Angled' by Corradine Fonts, 'Pittsbrook' by Fontdation, 'Letteria Pro' by Latinotype, 'Conthey' by ROHH, and 'Enamelplate' by Storm Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, techno, industrial, retro, utilitarian, sturdy, impact, legibility, futurism, squared, rounded, boxy, compact, monoline.
This typeface is built from compact, rounded-rectangle forms with softly chamfered corners and largely uniform stroke weight. Curves tend to resolve into squared bowls and superelliptical counters, giving round letters a boxy, engineered feel. Terminals are mostly flat and horizontal/vertical, with a few angled joins in diagonals, creating a steady, mechanical rhythm. Proportions skew wide in the caps with comparatively compact lowercase, and the overall texture reads dense and block-like with clear, simplified interior spaces.
Best suited to short, high-impact settings such as headlines, poster typography, logos/wordmarks, packaging, and environmental or wayfinding graphics. It also fits UI labels or display text where a sturdy, technical voice is desired, especially at medium-to-large sizes where the geometric detailing and counters stay clear.
The overall tone feels techno-industrial and slightly retro, like labeling on equipment or arcade-era graphics. Its chunky, squared curves convey strength and practicality more than elegance, projecting a no-nonsense, functional personality with a hint of sci‑fi styling.
The design appears intended to merge a clean sans structure with superelliptical, squared-round shaping to create a distinctive display voice. It prioritizes bold presence and consistent geometric construction, aiming for a modern industrial look that remains legible and highly recognizable in branding and signage contexts.
Distinctive features include squared counters in letters like O and Q, a notably geometric S, and angular construction in diagonals (K, V, W, X) that contrasts with the rounded-rectangle logic elsewhere. Numerals follow the same box-rounded geometry, producing a consistent, signage-like set with strong silhouette recognition.