Sans Superellipse Utros 5 is a regular weight, very wide, monoline, upright, normal x-height font.
Keywords: ui design, headlines, branding, logotypes, signage, futuristic, techy, clean, sleek, geometric, modernism, tech branding, ui clarity, geometric system, sci-fi tone, rounded corners, squarish rounds, soft terminals, streamlined, modular.
A geometric sans built from rounded-rectangle and superellipse-like curves, with consistent stroke thickness and softened corners throughout. The letterforms favor squared bowls and rounded inner counters, giving circles (O, 0) a pill-shaped, squarish feel rather than a true oval. Horizontal strokes tend to run long and flat, while joins and terminals are smoothly radiused, producing a tidy, engineered rhythm. Several glyphs use simplified, open constructions (notably in E, F, S and some lowercase), and punctuation-like details such as the dots on i/j appear as small round points that reinforce the systematic geometry.
This font works best where a sleek, modern voice is needed—UI/UX typography, dashboard labels, app headers, tech branding, and product or wayfinding signage. Its broad proportions and open, simplified forms make it especially effective for short headlines, titles, and identity marks where the geometric personality can read clearly.
The overall tone is contemporary and technology-leaning, with a calm, controlled presence. Its rounded-square geometry reads as modern and slightly sci‑fi, suggesting interfaces, devices, and streamlined industrial design rather than editorial warmth.
The design appears intended to deliver a forward-looking, systematized sans with rounded-square geometry that feels engineered and contemporary. By emphasizing consistent radii, softened corners, and simplified constructions, it aims for a distinctive techno display flavor while staying orderly and legible in short to medium text settings.
The set shows a clear modular logic: many curves share the same radius, and bowls/counters often align to a rounded-rectangle grid. Numerals echo the same design language, with segmented, open shapes (especially 2, 3, 5) and a compact, squared 0 that matches the capitals. The uppercase has a display-like breadth, while the lowercase keeps a similarly wide stance and simplified forms for a cohesive system.