Sans Superellipse Bonor 6 is a very light, normal width, monoline, upright, normal x-height font.
Keywords: ui labels, editorial display, posters, branding, packaging, minimal, airy, modern, clinical, futuristic, geometric clarity, softened modernism, sleek display, clean branding, rounded corners, soft geometry, open apertures, low contrast, generous spacing.
A very fine monoline sans with a soft geometric skeleton built from rounded-rectangle and superellipse-like curves. Curves turn with consistent radius and smooth continuity, producing oval bowls and squared-off rounding at corners rather than fully circular forms. Proportions feel clean and measured, with simple construction, open apertures, and restrained terminals that stay crisp and unbracketed. The overall rhythm is light and spacious, helped by generous sidebearings and a calm, even stroke presence across letters and figures.
Best suited to large sizes where the hairline stroke can stay intact and the superelliptical geometry is most apparent—headlines, brand wordmarks, posters, and refined packaging. It can also work for UI labels or interface headings in bright, uncluttered layouts, where its open forms and tidy spacing keep the tone crisp and contemporary.
The tone is cool, minimal, and contemporary—more technical and refined than expressive. Its thin strokes and rounded-geometry warmth create a quiet, understated elegance that reads as modern, precise, and slightly futuristic.
The design appears intended to merge geometric clarity with softened corners, delivering a sleek, modern sans that feels engineered yet approachable. Its consistent monoline construction and rounded-rectangle curves suggest an emphasis on minimalism, cleanliness, and a distinctive superelliptical signature.
Round letters (like O, Q, 0, 8, 9) lean toward superelliptical ovals, giving the set a distinctive ‘soft square’ flavor. The figures are similarly pared down and consistent, and the punctuation shown in the sample text stays unobtrusive, supporting a clean typographic color rather than calling attention to itself.