Stencil Tifi 2 is a regular weight, very wide, medium contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, game ui, sci-fi titles, futuristic, industrial, techno, tactical, mechanical, thematic impact, industrial signaling, sci-fi styling, system aesthetic, strong texture, modular, geometric, angular, rounded, segmented.
A bold, modular display design built from broad strokes with frequent cut-ins and gaps that create a consistent broken-stroke rhythm. Forms are predominantly geometric with squared curves and rounded-rectangle counters, while many joins are simplified into flat terminals and sharp diagonals. Several letters use segmented construction—particularly where bowls and cross-strokes are interrupted—producing a crisp, machined silhouette that stays visually consistent across caps, lowercase, and numerals. Spacing appears generous and the overall footprint is expansive, emphasizing horizontal presence and strong black shapes.
Well-suited to large-scale uses where the segmented construction can be appreciated: titles, posters, branding marks, packaging accents, and on-screen UI for games or speculative/tech themes. It also works for short bursts of copy, labels, and section headers where a mechanical, stenciled voice is desired.
The overall tone is sci‑fi and industrial, evoking manufactured signage, aerospace markings, and high-tech interfaces. The repeated bridges and notches lend a tactical, engineered feel—more utilitarian than decorative—while still reading as stylized and concept-driven.
The font appears designed to merge a stencil-like construction with a futuristic, modular geometry, prioritizing a strong silhouette and consistent bridging over conventional text readability. Its letterforms aim to communicate engineered precision and systemized design, making it ideal for thematic display settings.
The design leans on distinctive internal apertures and breaks (notably in rounded letters and the numerals), which creates strong texture in lines of text. At smaller sizes the intentional gaps and tight interior openings may become the dominant feature, so the font reads best when allowed enough size and breathing room.