Sans Faceted Raje 12 is a bold, normal width, low contrast, upright, normal x-height font.
Keywords: posters, headlines, branding, packaging, album art, angular, playful, hand-cut, quirky, edgy, high impact, handmade feel, novelty display, thematic titling, logo-ready, faceted, chiseled, jagged, irregular, blocky.
A faceted, all-caps-forward sans with planar cuts replacing curves throughout, producing sharp corners and crisp, polygonal counters. Strokes are chunky and mostly uniform, with frequent angled terminals and small notches that create a hand-cut, cut-paper feel. Proportions vary slightly from glyph to glyph, and the baseline and cap-height alignment feel intentionally loose, adding a lively, uneven rhythm. Lowercase forms keep the same angular construction, with compact bowls, narrow apertures, and simplified joins that emphasize silhouette over smooth continuity.
Best suited to posters, headlines, logos, packaging, and short punchy copy where its angular silhouettes can do the work. It performs well in themed graphics (games, comics, event promos) and bold wordmarks, especially at medium-to-large sizes. For long paragraphs or small UI text, the irregular rhythm and sharp detailing may feel busy compared to more neutral sans choices.
The overall tone is mischievous and energetic, reading as intentionally rough and handmade rather than precise or corporate. Its jagged facets and irregular rhythm suggest punk zine graphics, game/arcade titling, or Halloween-adjacent grit without leaning into traditional gothic detailing. The voice is loud and expressive, suited to attention-grabbing moments more than quiet reading.
The design appears intended to deliver a rugged, hand-faceted display look that reads quickly while feeling custom and tactile. By substituting curves with planar cuts and keeping stroke weight steady, it aims for high impact and a distinctive, cut-from-cardboard personality across letters and numerals.
Numerals and many round letters (like O/Q/0/8/9) are rendered as polygonal rings with hard vertices, creating strong, emblem-like shapes. Diagonals dominate the construction of A, V, W, X, and Y, while E/F/T use slabby arms with angled ends. Overall spacing appears generous in display settings, with distinctive silhouettes that remain recognizable even when forms skew irregularly.