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Free for Commercial Use

Sans Faceted Abdib 2 is a bold, normal width, monoline, upright, normal x-height, monospaced font visually similar to 'Mono Spec' by Halbfett, 'Monorama' by Indian Type Foundry, 'Brave Brigade' by Invasi Studio, 'Realtime' and 'Realtime Rounded' by Juri Zaech, 'Charles Wright' by K-Type, and 'Archimoto V01' by Owl king project (names referenced only for comparison).

Keywords: headlines, posters, branding, signage, packaging, industrial, technical, retro, sturdy, utilitarian, impact, durability, precision, modularity, uniformity, octagonal, chamfered, angular, blocky, compact.


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A heavy, block-constructed sans with crisp chamfered corners and faceted, near-octagonal curves. Strokes keep an even thickness and terminate in flat, squared ends, producing a rigid, engineered silhouette across caps, lowercase, and figures. Counters are generally rectangular to polygonal, with tight interior spaces that emphasize a compact, high-impact texture in text. Numerals and capitals echo the same cut-corner geometry, and punctuation follows the same blunt, modular logic for a consistent rhythm.

Well suited to punchy headlines, badges, and logotypes where a tough, geometric voice is desired. It also works for wayfinding-style signage, labels, and packaging that benefit from an engineered, high-contrast silhouette. For longer text, it performs best at larger sizes with generous spacing to keep the compact counters from closing in.

The overall tone is industrial and technical, with a retro-digital flavor reminiscent of equipment labeling, arcade-era display type, and utilitarian signage. Its faceted shapes feel rugged and authoritative rather than friendly, projecting a no-nonsense, functional personality.

The design appears intended to translate a modular, cut-corner construction into a consistent alphabet suitable for display typography. By replacing curves with planar facets and keeping strokes uniform, it aims for strong reproducibility, clear silhouettes, and a distinctly mechanical look.

The repeated corner chamfers create a distinct pixel-adjacent, machined aesthetic that stays coherent at both single-letter display sizes and in dense blocks of text. The squared forms and tight counters can make long passages feel dark and compact, while short headlines read punchy and emphatic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸