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Free for Commercial Use

Inline Tugo 11 is a bold, wide, very high contrast, italic, normal x-height font.

Keywords: posters, headlines, signage, packaging, logotypes, vintage, showcard, western, playful, theatrical, attention grabbing, vintage revival, signage look, decorative display, branding, slab serif, inline detail, outlined, decorative, display.


Free for commercial use
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A heavy, right-slanted slab-serif design with broad proportions and pronounced, bracket-like serifs. The letterforms are built from solid black shapes that are visually lightened by a consistent inline cut running through the strokes, plus a thin outer edge that reads like a subtle outline in many glyphs. Curves are generous and slightly squarish in places, counters are compact, and stroke endings often flare into wedgey feet and caps, giving the texture a lively, poster-like rhythm. Numerals match the same robust structure and internal inline detailing for a cohesive set.

Well suited for large-format display work such as posters, storefront or event signage, punchy headlines, and packaging that wants a nostalgic or handcrafted feel. It can also work for logos and badges where the inline detail can be showcased, but it’s less appropriate for long body copy or small UI text where the internal carving may lose clarity.

The overall tone feels vintage and showy, recalling old posters, saloon signage, and circus or fairground typography. The slant and the carved inline add motion and sparkle, while the chunky slabs keep it confident and attention-grabbing. It comes across as playful and theatrical rather than formal or restrained.

The font appears designed to deliver high-impact display typography with a classic, decorative inline effect. Its bold slabs, oblique stance, and carved interior lines suggest an intention to echo historic showcard and sign-painting aesthetics while maintaining a consistent, unified character set for branding and headline use.

The inline carving creates strong internal highlights that can visually fill in at smaller sizes, so the design reads best when given enough size and spacing to preserve the interior detail. The oblique angle and prominent serifs produce a distinctive, textured word shape that is especially noticeable in longer lines of display text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸