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Blackletter Irmo 4 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, logos, packaging, album covers, medieval, solemn, ceremonial, dramatic, authoritative, historical flavor, dramatic impact, formal tone, textural color, angular, broken strokes, diamond terminals, tight apertures, textura-like.


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This face is a blackletter with crisp, broken stroke construction and pronounced contrast between thick verticals and sharp hairline joins. Letterforms are built from compact, angular modules with pointed corners, wedge/diamond terminals, and narrow internal counters that create a dense, rhythmic texture. Capitals are ornate but controlled, featuring strong vertical emphasis and faceted curves, while lowercase forms maintain consistent gothic structure with occasional asymmetric details that add a hand-cut feel. Numerals follow the same chiseled logic, combining heavy stems with angled entry/exit strokes for a cohesive set.

Best suited to short-form, high-impact typography such as headlines, mastheads, labels, and identity marks where its dense texture and angular detailing can be appreciated. It also works well for themed applications—event titling, editorial openers, and packaging—when a historic or ceremonial atmosphere is desired.

The overall tone is historic and formal, evoking manuscript and engraved traditions with a stern, ceremonial presence. Its dark color and tight apertures give it a dramatic, authoritative voice suited to heraldic or ritual contexts rather than casual reading.

The design appears intended to deliver a traditional gothic manuscript impression with disciplined structure and high visual weight, balancing ornament with legibility for display and short text settings. Its consistent modular construction suggests a focus on creating an even, authoritative texture across both capitals and lowercase.

In paragraph settings the font produces a distinctly “woven” page color with strong vertical rhythm; spacing and the compact counters can make long passages feel heavy, so it benefits from generous line spacing and moderate tracking. The sample shows clear differentiation between uppercase and lowercase styles, with capitals providing emphatic, display-like emphasis while the lowercase sustains a consistent textural pattern.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸