Sans Superellipse Ubkam 2 is a very bold, very narrow, medium contrast, upright, normal x-height font visually similar to 'ATF Alternate Gothic' by ATF Collection, 'FF Good' by FontFont, 'CF Blast Gothic' by Fonts.GR, and 'Athletic Pro' by Mandarin (names referenced only for comparison).
Keywords: posters, headlines, sports branding, packaging, logo marks, industrial, sporty, poster, stamped, assertive, maximum impact, space saving, rugged texture, display emphasis, condensed, blocky, rounded corners, compressed counters, high impact.
This typeface is a condensed, heavy sans with a tall, columnar silhouette and tight internal counters. Strokes are thick and mostly monolinear in feel, with rounded-rectangle curvature in bowls and terminals that keeps the forms soft despite the mass. Many letters show subtly irregular, slightly wavy verticals and occasional notch-like bite marks, giving the outlines a distressed, inked or worn print character. Spacing is compact and the overall rhythm is dense, producing strong vertical texture and high headline presence.
Best suited to short, high-impact settings such as posters, headlines, promotional graphics, sports or event branding, and packaging where dense, bold letterforms are an advantage. It can also work for rugged wordmarks or labels, but the distressed texture and tight counters may reduce clarity in small body text or long passages.
The overall tone is forceful and energetic, with a rugged, workmanlike edge. Its condensed weight and slightly distressed finish suggest urgency and grit, evoking sports branding, industrial labels, or bold editorial callouts rather than refined corporate neutrality.
The design appears intended to maximize impact in narrow widths while maintaining a friendly rounded-rectangle construction. The added irregularities seem purposeful, aiming to inject a worn, printed tactility into otherwise clean, geometric sans forms for more attitude and presence.
The distressed details appear as small interior nicks and uneven edges in multiple glyphs, which adds character but can create dark spots at smaller sizes. Round letters (like O/Q) stay relatively squared in their curvature, and the numerals share the same tall, compact construction for consistent titling.