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Free for Commercial Use

Cursive Gumaz 8 is a very light, narrow, low contrast, italic, very short x-height font.

Keywords: invitations, branding, logotypes, packaging, quotes, elegant, airy, romantic, delicate, personal, signature feel, display elegance, handwritten charm, personal tone, monoline, looping, flowing, swashy, high slant.


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A slender, monoline cursive with a pronounced rightward slant and long, sweeping entry/exit strokes. Letterforms are built from continuous, calligraphic motions with open counters, generous curves, and occasional swash-like cross-strokes and terminals. Capitals are larger and more expressive, often featuring extended lead-ins and understated loops, while lowercase forms stay compact with a tight rhythm and minimal emphasis on vertical stress. Numerals follow the same handwritten logic, using smooth curves and light, tapered-looking joins that keep the texture airy and quick.

This font is well suited to invitation suites, wedding or event collateral, boutique branding, and packaging where a refined handwritten signature tone is desired. It also works nicely for short quotes, headings, and social graphics at display sizes where the delicate strokes and long terminals have room to breathe.

The overall tone is refined and intimate, balancing a graceful signature feel with an informal handwritten ease. Its light, flowing strokes read as romantic and personable, with a slightly fashion-forward elegance suited to expressive, human-centric messaging.

The design intent appears to be a light, elegant handwriting style that evokes a personal signature and fluid pen movement. It prioritizes graceful rhythm, expressive capitals, and sweeping connections to create a stylish, intimate display script for modern editorial and branding contexts.

Spacing appears naturally uneven in a handwritten way, and connectivity varies—some pairs link cleanly while others separate, reinforcing an authentic pen-written cadence. The extended cross-strokes (notably in letters like t and some capitals) add motion across the line and can become a prominent stylistic feature at larger sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸