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Free for Commercial Use

Sans Other Nebok 2 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Whitney' by Hoefler & Co., 'Neusa Neu' by Inhouse Type, 'Murs Gothic' by Kobuzan, 'Helsinki' by Ludwig Type, and 'Body' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, kids branding, playful, friendly, chunky, retro, approachability, impact, retro charm, informality, rounded, soft, bouncy, bulbous, cartoonish.


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A heavy, rounded sans with compact counters and soft, blunted terminals. Strokes are broadly uniform and the shapes lean toward inflated, slightly irregular geometry, creating a hand-cut, organic feel rather than strict modular construction. Curves are dominant, corners are generously rounded, and joins stay smooth; the result is a dense, ink-trappy silhouette that holds together in large blocks of text. The lowercase is simple and sturdy with single-storey forms, and numerals follow the same chunky, rounded rhythm.

Best suited to display settings where bold, friendly personality is desired—posters, product packaging, playful brand marks, and attention-grabbing headers. It can also work for short blurbs or captions when set large enough to preserve clarity in the compact counters.

The overall tone is upbeat and approachable, with a jovial, cartoon-leaning presence. Its inflated shapes and softened corners evoke mid-century display lettering and casual signage, giving text a warm, humorous voice that reads as welcoming rather than formal.

Likely designed to provide a high-impact, approachable display voice with rounded, soft forms that prioritize charm and immediacy over neutrality. The slightly irregular, inflated construction suggests an intention to feel human and tactile, echoing sign-painting and retro advertising aesthetics.

Spacing reads slightly tight and the dark color builds quickly, producing strong texture and high impact in headlines. The variable-feeling widths and subtly uneven curves add personality, while the closed apertures and small counters suggest it performs best when given room (larger sizes or generous tracking).

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸