Slab Square Sudop 3 is a regular weight, wide, low contrast, italic, normal x-height, monospaced font visually similar to 'Electrica' by Scannerlicker (names referenced only for comparison).
Keywords: code samples, spec sheets, captions, editorial text, packaging, typewriter, editorial, retro, scholarly, utility, practical clarity, typewriter feel, structured rhythm, emphasis, slab serif, square serifs, oblique, sturdy, crisp.
This is an oblique slab-serif with sturdy, square-cut serifs and a broad, even rhythm. Strokes stay fairly even in weight with minimal contrast, while the serifs read as firm blocks that help define a strong horizontal structure. Curves are rounded but controlled, and joins stay clean and pragmatic rather than calligraphic. The overall spacing and sidebearings feel consistent and mechanical, giving the face a steady cadence across uppercase, lowercase, and numerals.
It works well anywhere a structured, mechanical texture is helpful—such as code samples, technical documentation, forms, and tables—while still being comfortable for short passages of editorial text. The oblique style also makes it useful for emphasis within a family-like typographic system, and its sturdy slabs can hold up in labels and practical packaging where clarity and firmness matter.
The tone is utilitarian and lightly nostalgic, evoking typewritten and editorial contexts with a no-nonsense, workmanlike voice. Its slanted stance adds a sense of forward motion while the slab serifs keep the mood grounded and authoritative. The result feels familiar, dependable, and suited to text that should look purposeful rather than decorative.
The design appears intended to deliver a practical, typewriter-adjacent reading experience with reinforced slab serifs and consistent metrics for disciplined composition. Its oblique posture seems aimed at providing emphasis and momentum while preserving a robust, engineered feel.
Uppercase forms appear wide and stable, and the lowercase has simple, readable structures with compact details that stay clear at text sizes. Numerals follow the same blunt, squared-off logic, supporting a consistent texture in mixed alphanumeric settings. Overall texture remains dark and even, with the oblique angle providing emphasis without introducing high-contrast sparkle.