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Free for Commercial Use

Cursive Gylez 1 is a very light, very narrow, medium contrast, italic, very short x-height font.

Keywords: invitations, branding, packaging, social quotes, headlines, airy, elegant, delicate, romantic, personal, handwritten elegance, personal tone, graceful display, lightness, monoline, looping, tall ascenders, fine stroke, open counters.


Free for commercial use
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A fine, monoline script with a strong rightward slant and an overall tall, narrow silhouette. Strokes are hairline-thin with occasional pressure-like emphasis at joins and curves, and terminals often finish in tapered, pen-like flicks. Letterforms lean on long ascenders/descenders and generous internal loops (notably in forms like B, G, Q, g, y), creating a light, floating rhythm. Spacing and widths vary naturally, and connections are intermittent—some letters link smoothly while others remain lightly separated—keeping the texture handwritten rather than rigidly continuous.

Well-suited to wedding and event invitations, boutique branding, beauty/fashion packaging, greeting cards, and short editorial headlines where elegance and personality are desired. It performs best in display settings and lighter text applications with ample size and contrast against the background.

The font conveys a refined, intimate tone—more like neat personal handwriting than bold signage. Its light touch and looping gestures feel graceful and slightly whimsical, lending a soft, romantic character without becoming overly ornamental.

The design appears intended to capture a clean, stylish cursive hand with minimal stroke weight and a graceful, elongated structure. It prioritizes fluid gesture and a refined handwritten feel, using loops and tall proportions to add charm and distinctiveness in display typography.

Uppercase forms are especially expressive and tall, with simplified cross-strokes and ample curvature, while lowercase maintains a restrained, airy cadence. Numerals follow the same hairline construction and slanted posture, blending comfortably with text. At small sizes the thin strokes may appear fragile, while at larger sizes the line quality and loops become a defining feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸