Serif Normal Ifriz 12 is a light, normal width, high contrast, upright, normal x-height font.
Keywords: books, editorial, magazines, longform, headlines, classic, literary, formal, refined, traditional, readability, editorial tone, classical finish, print-like texture, authority, bracketed, transitional, bookish, crisp, calligraphic.
This serif typeface shows crisp, sharply defined strokes with pronounced thick–thin modulation and bracketed wedge serifs. Capitals are proportioned with steady, classical geometry (round forms like O/Q are smooth and open, while E/F have firm, tapered terminals), and the overall rhythm is even and text-oriented rather than decorative. Lowercase forms are compact and readable, with a double-storey a and g, a relatively narrow e with a small eye, and a t that has a short crossbar and a gently curved foot. Numerals follow the same high-contrast logic, with slightly old-style flavor in their varying widths and angled stress.
It works well for book typography, editorial layouts, and magazine text where a conventional serif voice and clear line rhythm are needed. The sturdy capitals and pronounced contrast also make it suitable for headings, pull quotes, and other typographic moments that benefit from a formal, classical feel.
The tone is traditional and literary, conveying a sense of formality and editorial authority. Its refined contrast and sharp serifs suggest a polished, established voice suited to classic publishing and institutional communication.
The design intention appears to be a conventional text serif with a refined, high-contrast palette: optimized for continuous reading while retaining enough sharpness and character for prominent editorial display. Its proportions and restrained detailing aim for familiarity, credibility, and clean typographic color on the page.
Across both the glyph grid and paragraph sample, spacing appears measured and consistent, producing a calm line texture at display-to-text sizes. The serifs stay crisp without becoming overly ornate, and the contrast reads clearly even in dense lines, giving the face a composed, print-like presence.