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Free for Commercial Use

Outline Mita 3 is a regular weight, very wide, low contrast, upright, normal x-height font.

Keywords: headlines, posters, logotypes, tech branding, ui accents, futuristic, tech, retro, sci‑fi aesthetic, neon outline, geometric system, display impact, geometric, rounded, inline, monoline, modular.


Free for commercial use
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A geometric, rounded display face built from a continuous outline with an inner parallel path, creating a clean double-line/inline look. Strokes are monoline and low in contrast, with corners consistently softened into broad radii and terminals that feel engineered rather than calligraphic. Counters and openings are generous and squarish-oval, while many glyphs use segmented construction (notably in E/F/S/Z and the numerals) that reinforces a modular, grid-based rhythm. Proportions are expansive and horizontally oriented, producing a wide footprint and a steady, even texture in words and lines.

Best suited to display settings such as headlines, posters, packaging accents, and logotypes where its outlined, double-line construction can be appreciated. It also works well for tech-leaning branding, event graphics, and UI/wayfinding accents when used at sizes large enough to preserve the internal spacing.

The overall tone reads futuristic and technical, with a strong retro-digital flavor reminiscent of late-20th-century sci‑fi interfaces and industrial signage. Its double-stroke outline adds a sense of motion and “neon tube” precision, giving the alphabet a sleek, engineered confidence.

The design appears intended to deliver a bold, futuristic outline aesthetic through a disciplined geometric system: wide proportions, rounded rectangles, and a consistent inner path that reads like engineered tubing. It prioritizes visual identity and a clean, synthetic rhythm over text-face neutrality.

The outline structure is consistent across caps, lowercase, and numerals, and the rounded geometry helps maintain clarity despite the hollow construction. The design favors stylized construction over strict typographic tradition, which gives it strong personality but also makes it feel most at home at larger sizes where the internal inline details remain crisp.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸