Cursive Ragif 2 is a regular weight, very narrow, high contrast, italic, short x-height font.
Keywords: invitations, branding, greeting cards, social posts, packaging, friendly, playful, romantic, casual, airy, handwritten feel, expressive lettering, signature look, decorative accent, personal tone, brushy, bouncy, looping, fluid, tall ascenders.
A lively handwritten script with a brush-pen feel and a pronounced slant. Letterforms are narrow and tall, with long ascenders and descenders and a noticeably small x-height, creating an airy vertical rhythm. Strokes show clear thick–thin modulation: downstrokes are weighty while upstrokes and entry/exit strokes taper to fine hairlines. Connections are common in lowercase, with smooth, rounded joins and frequent loops (notably in letters like g, y, f, and j), while capitals are more individually drawn with simple swashes and open counters. Spacing is moderately loose for a script, helping maintain legibility despite the delicate hairlines and varying stroke widths.
Well-suited to short-to-medium display text where a handcrafted, personal voice is desired—wedding and event invitations, greeting cards, boutique branding, packaging accents, and social media graphics. It also works as an overlay script paired with a neutral sans or serif for contrast, while very small sizes may reduce clarity due to the fine hairlines.
The font conveys an informal, personable tone—like neat brush calligraphy used for notes, invitations, or boutique signage. Its bouncy baseline movement and elegant contrast add a touch of romance, while the handwritten irregularities keep it approachable rather than formal.
Designed to emulate quick, confident brush lettering with graceful loops and strong stroke contrast, delivering an expressive signature-like script that feels modern, friendly, and decorative.
Capitals are tall and gestural with occasional extended cross strokes, and several letters feature distinctive looped terminals that add movement. Numerals are slender and handwritten in character, matching the script’s contrast and tapering ends, and they read best at display sizes where the fine strokes remain crisp.