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Free for Commercial Use

Sans Other Ufroh 4 is a very light, normal width, monoline, upright, normal x-height font.

Keywords: headlines, posters, branding, logotypes, editorial display, minimalist, futuristic, elegant, airy, geometric, experimentation, modernity, reduction, identity, display, rounded, open counters, stylized, modular, clean.


Free for commercial use
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A very thin, monoline sans with a highly reduced, geometric construction and generous internal space. Curves are drawn as near-perfect arcs with frequent intentional breaks, while straight strokes stay crisp and evenly weighted. Many forms use simplified, modular logic—single-stem structures, detached crossbars, and open bowls—creating a rhythmic pattern of gaps and terminals rather than continuous outlines. Proportions feel light and spacious, with wide circular letters and narrow, linear letters coexisting in a deliberately constructed, display-oriented texture.

Best suited to large sizes where its ultra-thin strokes and open constructions can read clearly—headlines, poster typography, brand marks, packaging accents, and editorial feature titles. It can also work for short UI or product titling when set with ample tracking and strong contrast against the background, but it is primarily a display face rather than a long-text workhorse.

The overall tone is quiet and refined, with a sleek, futuristic edge. Its deliberate openings and minimal strokes read as conceptual and design-forward, suggesting contemporary tech, gallery, or editorial styling rather than conventional everyday typography. The lightness and air between strokes give it a poised, almost architectural feel.

This design appears intended to explore a minimal, geometric sans vocabulary with intentional interruptions and simplified structures, emphasizing a modern, experimental aesthetic. The goal seems to be strong visual identity through reduction—achieving distinctiveness with as few strokes as possible while keeping a consistent monoline system.

Distinctive, nonstandard constructions (notably in several capitals and numerals) prioritize a stylized silhouette over familiar text conventions, producing a recognizable pattern at a glance. The continuous even stroke and consistent curvature help unify the more experimental glyph decisions into a coherent system.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸