Sans Superellipse Pegoj 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aharoni MF' by Masterfont and 'Century Gothic' and 'Century Gothic Paneuropean' by Monotype (names referenced only for comparison).
Keywords: posters, headlines, packaging, branding, children’s media, friendly, playful, chunky, casual, approachable, approachability, high impact, cheerful tone, soft geometry, display clarity, soft corners, rounded, blunt terminals, compact, bouncy.
A heavy, rounded sans with soft, squarish curves and blunt terminals that give letters a molded, superellipse feel. Strokes are consistently thick with minimal modulation, and counters are open and generously rounded, especially in O/o, e, and g. Joins and corners are noticeably softened, producing a slightly irregular, hand-shaped rhythm rather than a rigid geometric one. Lowercase forms are sturdy and compact, with single-storey a and g, a short-armed r, and a dot on i/j that reads as a small rounded square; figures are similarly weighty with smooth bowls and simple, blocky construction.
Well-suited to headlines, posters, and short bursts of copy where a friendly, high-impact voice is needed. The sturdy, rounded construction also fits packaging, logos, and brand systems aiming for warmth and approachability, as well as children’s products, games, and casual editorial callouts.
The overall tone is warm and informal, leaning toward a cheerful, kid-friendly personality without becoming novelty. Its chunky shapes and softened corners communicate friendliness and ease, giving text a relaxed, conversational voice that feels modern and approachable.
The design appears intended to deliver a confident, high-visibility sans with softened geometry—combining strong mass with rounded-rectangle curves to stay legible and inviting. Its forms prioritize approachability and character over strict neutrality, making it effective for expressive display typography.
In the sample text, the dense color and rounded detailing create strong presence at display sizes, while the slightly uneven feel in diagonals and joints adds character. The wide, rounded punctuation and the compact interior spaces suggest it will look best with a bit of breathing room in tracking and leading when set in longer lines.