Sans Faceted Nime 4 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Jetlab' by Swell Type and 'Equa' by Thousand Type Works (names referenced only for comparison).
Keywords: posters, headlines, sports branding, game ui, signage, industrial, techno, athletic, arcade, utility, impact, branding, modular styling, geometric rigidity, octagonal, chamfered, blocky, geometric, condensed caps.
A heavy, geometric display sans built from straight strokes and crisp chamfered corners, replacing curves with faceted, octagonal turns. Stems and bowls are mostly rectangular with consistent stroke weight, producing strong silhouettes and tight internal counters in letters like O, P, and R. Uppercase forms read compact and uniform, while lowercase introduces more width variation and a utilitarian, modular rhythm (notably in m/n/u/w). Numerals follow the same angular construction, with squared terminals and clipped diagonals that keep the set visually cohesive.
Best suited to short, high-impact settings such as posters, headlines, sports or team marks, and game or arcade UI where strong silhouettes and angular styling are desirable. It can also work for signage-style graphics or labels, especially when ample size and spacing preserve the interior counters.
The overall tone is assertive and mechanical, with a rugged, engineered feel that suggests equipment labeling, scoreboards, and digital-era signage. Its angular facets and dense weight convey strength and urgency, leaning toward sporty and arcade-like energy rather than softness or elegance.
The design appears intended to deliver maximum punch with a disciplined, modular construction, turning traditional sans shapes into faceted forms for a more technical, industrial voice. It prioritizes bold presence and graphic consistency across letters and figures over delicate text readability.
The faceting is applied consistently across rounds and diagonals, creating a stable, stamped-looking texture in text. At smaller sizes the tight counters and dense color can begin to fill in, while at headline sizes the cut corners become a defining stylistic signature.