Print Udreh 3 is a very bold, narrow, medium contrast, upright, short x-height font.
Keywords: posters, headlines, packaging, signage, branding, playful, handmade, rustic, lively, bold, handmade feel, bold impact, casual display, craft tone, signage look, brushy, textured, chunky, irregular, organic.
A hand-drawn, brushy print style with heavy strokes and visibly textured edges. Letterforms are condensed overall, with a slightly uneven baseline and varied character widths that give the line a lively rhythm. Strokes taper and swell subtly, and terminals often end in blunt, ink-loaded shapes rather than crisp geometric cuts. Counters are compact and sometimes asymmetrical, reinforcing the informal, made-by-hand construction while keeping forms clear at display sizes.
Best suited to display applications such as posters, headlines, packaging, labels, and informal signage where its bold, handcrafted texture can read clearly and add personality. It also works well for short bursts of copy—taglines, pull quotes, and social graphics—where a casual, brush-made feel is desirable.
The font conveys an energetic, approachable tone—casual and slightly rugged, like marker or brush lettering used for quick signage. Its condensed, punchy shapes feel confident and attention-grabbing, with enough irregularity to read as human rather than engineered. The overall impression is friendly and expressive, with a touch of vintage craft.
The design appears intended to mimic quick, confident brush or marker lettering in an unconnected print form, prioritizing personality and impact over strict regularity. Its condensed stance and heavy color suggest a focus on attention and legibility in display settings while preserving a convincingly handmade texture.
Capitals and lowercase share the same brushed texture and slightly inconsistent stroke edges, creating cohesive “ink on paper” character. Numerals are similarly bold and rounded, designed to match the letterforms rather than appearing mechanically uniform. The condensed proportions and dense interiors make spacing and line breaks feel compact, especially in long text.