Sans Faceted Itku 2 is a very light, very wide, low contrast, italic, tall x-height font.
Keywords: ui labels, tech branding, posters, titles, motion graphics, futuristic, technical, sci‑fi, precise, minimal, digital aesthetic, tech tone, display impact, geometric consistency, faceted, monoline, angular, octagonal, wireframe.
A monoline sans with a pronounced forward slant and a distinctly faceted construction: curves are largely replaced by straight segments and clipped corners, producing octagonal bowls and chamfered terminals. Strokes remain consistently thin with clean joins, and many forms use open apertures and simplified geometry (notably in C/G/S and the rounded letters). Proportions are horizontally expansive, with generous set width and an elevated x-height in the lowercase; counters stay open and airy, giving the design a lightweight, wireframe presence. Figures and capitals follow the same planar logic, with segmented arcs and angled cuts that keep the overall rhythm crisp and mechanical.
Well suited to on-screen UI labeling, HUD-style overlays, and product interfaces where a geometric, technical voice is desired. It can also work effectively for headlines, posters, and short-form branding in technology, gaming, or science-fiction contexts, where its faceted construction becomes a defining visual motif.
The font reads as futuristic and engineered, evoking vector displays, instrument panels, and sci‑fi interface lettering. Its angled cuts and segmented bowls create a cool, analytical tone—more technical and schematic than friendly—while the consistent thin linework keeps it sleek and understated.
The design appears intended to translate a polygonal, display-like geometry into a readable sans for short texts and headings. By substituting curves with planar facets and keeping strokes uniformly thin, it prioritizes a sleek, engineered aesthetic while maintaining consistent rhythm across letters and numerals.
Distinctive clipped corners unify the character set and help maintain consistency between uppercase, lowercase, and numerals. The italicized posture is built into the glyph structure rather than added as a simple slant, reinforcing the sense of motion and forward thrust in text. In longer samples, the faceting becomes the primary texture, creating a lively, geometric sparkle across lines.